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Girlie Door by Sir Peter Blake . Type: Silkscreen Print Published: 2008 Image Size: 455 mm X 660 mm Paper Size: 595 mm X 820 mm Edition Size: 175. [wp_cart:Girlie-Door:price:2000:end]
A 7 year old schoolgirl will see the front cover she designed for this week’s Radio Times sold in the shops.
Darcey Gurner, of Finchley, who attends Akiva School, in East End Road, beat 10,500 entries to win the magazine’s royal wedding picture competition with a drawing of the royal wedding carriage. The judges praised Darcey’s design for its inventiveness with artist Sir Peter Blake describing it as “a thoroughly memorable image”. Blue Peter presenter Helen Skelton called it “charming” and Education Secretary Michael Gove MP said it was “a spontaneous outburst of celebration and joy”.
Describing her winning cover design, Darcey said: “I can’t believe my picture will be in all the shops. It took a long time to draw because I had to practise doing the carriage in pencil and my mum showed me how to draw block figures.” [wp_cart:Girlie-Door:price:2000:end]
Sir Peter Blake has published a new set of prints, Homage to Damien Hirst – Butterfly Man. According to the Blake : ‘Damien Hirst has used butterflies in a lot in his work, and it was pointed out that ‘the butterfly man’ owes more than a little to his work, so I was happy to dedicate him in homage to Damien. I am an enormous admirer of Damien’s work.’ The new works use vintage postcard images as backdrops to his collage of the butterfly man, dozens of butterflies and an assortment of eclectic characters from the miscellaneous print paraphernalia that Blake has hoarded over the years.
The Butterfly Man, Hollywood captures the golden age of Hollywood glamour with the Hollywood hills and mini-mansions. In the foreground along with the butterfly man are numerous Hollywood legends including Charlie Chaplin, James Dean, Laurel & Hardy, Errol Flynn, Elvis, Marilyn and Judy Garland.
Blake returns to home ground for Butterfly Man, Eastbourne, celebrating the glory of the British seaside holiday. The butterfly man orchestrates his pets in front of the statue of Saigo Takamori (famous samurai) in The Butterfly Man, Tokyo, along with Japanese ladies in kimonos and visitors such as African tribesmen and a European lady in formal costume. The butterfly man also travels to North Africa, where he releases his butterflies in the souk at Tunis and finally, he goes to Venice and the piazza San Marco.
Each print is a silkscreen in 24 colours and 2 glazes on paper measuring 32.5 x 29.5 inches, from a signed edition of 100. 75 from the edition are being released as a boxed set priced at £7,500, and the remaining 25 prints are available individually at £1,800 each. The Hollywood and Venice images might sell out pretty quickly, so interested buyers should move fairly quickly.
Mary Ryan Gallery opens an exhibition of new work by English artist Peter Blake. Blake has often been called “the godfather of Pop Art” and his work is widely shown and collected throughout Europe. He has rarely shown in the United States; this is his third exhibition in New York since 1962. Blake will be present at the opening reception.
Though he is best known in the states for creating the album cover of The Beatles’ ‘Sgt. Pepper’s Lonely Hearts Club Band,’ his paintings, drawings, prints and collages have focused on all aspects of popular culture from sports to music to film. Beyond being seen as iconic imagery, Blake’s work has always had a particular ability to translate the social preoccupations of the time. While immersed in pop culture, his art belongs to a long tradition of figurative realism and he has been influenced by Victorian imagery, myth, folk art, outsider art and vintage illustration.
Peter Blake: World Tour will feature 10 unique collages on paper and canvas depicting New York, Paris, Los Angeles, Venice and Tokyo. These unique mixed media pieces combine real imagery (vintage postcards and photographs) with Blake’s invented additions, transcending time and leading the viewer deep into the artist’s imagination. This body of work features “Butterfly Man,” a whimsical character loosely based on Damien Hirst (a friend and fan of Blake’s work) who travels the world orchestrating butterflies. This exhibition also marks the debut of Blake’s newest suite of silkscreens, Paris Portfolio, also based on vintage postcards, as well as two new editions, Union Jack and Old Glory. more Peter Blake prints from Photogold
The Fuji Finepix S200EXRis one of the new generation of bridge cameras with a superzoom – from 28 mm to 430 mm . Fuji S200EXR , pre-used , good condition. The camera is now sold
* 12MP Superzoom camera with versatile 14.3x Fujinon lens;Switchable EXR sensor with 3 priority modes: High Resolution, Dynamic Range and High Sensitivity;EXR AUTO combining Scene Recognition and 3 EXR priority modes to optimise for 6 different scenes;NEW Pro Focus mode: create professional looking shots with a shallow depth of field;Aperture and Shutter priority for creative control and JPEG and RAW capture * Switchable EXR sensor with 3 priority modes: High Resolution, Dynamic Range and High Sensitivity * EXR AUTO combining Scene Recognition and 3 EXR priority modes to optimise for 6 different scenes * NEW Pro Focus mode: create professional looking shots with a shallow depth of field * Aperture and Shutter priority for creative control and JPEG and RAW capture
NUMBER OF EFFECTIVE PIXELS: 12 million pixels CCD SENSOR: 1/ 1.6-inch Super CCD EXR STORAGE MEDIA: Internal memory (approx. 47MB)?/ SD memory card/ SDHC memory card FILE FORMAT: Still image: JPEG (Exif Ver. 2.2), (Design rule for Camera File system compliant / DPOF-compatible), Movie: AVI (Motion JPEG) with sound, Audio: WAVE format, monaural sound LENS: Fujinon 14.3 X Optical zoom lens, F2.8 (W) – F5.3 (T) LENS FOCAL LENGTH: f=7.1mm -101.5mm (equivalent to 30.5-436mm) DIGITAL ZOOM: Approx 2x (Up to 28.6x when combined) APERTURE: F2.8/F11 (wide), F5.3/F11 (telephoto) SUPER MACRO: Approx. 1cm to 1m SENSITIVITY: Auto/Auto (3200)/Auto (1600)/Auto (800)/Auto (400)/Equivalent to ISO100/200/400/800/1600/3200/6400*/12800* (Standard Output Sensitivity), Number of recorded pixels: ISO6400: “M” or “S”, ISO12800: “S” only EXPOSURE CONTROL: TTL 256-zones metering
The Fuji Finepix S200EXR . Price £260 – Save over £100 on this camera – Fuji S200EXR , pre-used , immaculate condition, free UK delivery
The controversial Braveheart statue at the Wallace Monument in Stirling has been returned to sculptor Tom Church. The William Wallace statue has divided opinion equally between those who love it and those who hate it . Historians were outraged because of its remarkable resemblance to a certain actor Mel Gibson , star of the Braveheart film. That was taking historical inaccuracies to a whole new level. However tourists visiting the Monument loved having their picture taken beside it . The 13 foot statue was 12 tonnes and carved out of gold sandstone . A new visitor centre is being built where it stood in the car park at the foot of the Monument.Church said he had been inspired to create the statue, which took him five months to carve, after watching the 1997 film. Church said: “I know the purists didn’t think too much of it but the tourists absolutely loved it. I believe it’s rightful home is at the Wallace Monument. It was the ideal place for it. I think they were maybe a bit angry that some people just wanted their picture taken with the statue and didn’t bother going into the monument.”
So what has the Braveheart phenomenon done for Scotland ? I think it has had a great effect on tourism in Scotland. The film has encouraged lots of new visitors to come over here. Beyond that it has also played well with the SNP and supporters of Independence because it is just an epic , albeit inaccurate , film which appeals to the emotions of anyone who wants freedom for their own country . The picture of the statue featured here is available as a poster from Castle Pictures.
Fuji has a wide range of digital cameras from compacts to bridge cameras . The Fuji S9600 is one of the best bridge cameras ever made . Instead of reinventing the hugely successful Fuji S9500, the S9600 sees the introduction instead of some carefully-chosen improvements. Improving LCD size, image sharpness and low light autofocus, the new camera acts as a definite upgrade to its predecessor. The camera has a very impressive zoom lens; covering the crucial 28-300mm range, and crafted from the highest standard Fujinon optics, this is a built-in lens that has been engineered to work perfectly with the camera’s sensor technology. And the sensor technology is just as advanced – a nine million effective pixel Super CCD and Real Photo Processor combination that not only delivers on detail, but also the major image quality milestones: colour, low noise, dynamic range and sensitivity. The wide angle end is ideal for landscapes . Middle of the range focal lengths ( 100 to 150 mm ) can be used for portraits . The telephoto end is perfect for sports . People that use the S9600 will not miss many shots. There is no annoying wait as a motor extends the lens (it is already in position), and the autofocus locks on to subjects with a speed that will make you think twice as to whether this really is not a DSLR. With its use of manual zoom ring, dials and buttons for important functions, the S9600 is designed for photographers who do not want their camera to get in the way of their photography. The S9600 design allows you to do many things that you can’t with a digital SLR. For instance, using the 2-inch LCD to compose your image, rather than having to lift the camera to cover your eye.The LCD has a double hinge which allows you to change the angle of it to suit you depending on the angle you want to hold the camera at . You can hold the camera at waist level or ground level if you want a low angle . If you are shooting close-ups you can set the LCD screen at any angle between vertical and horizontal ie a full 90 degrees to play with . Using the zoom to reach virtually any of the major focal lengths, rather than having to change lenses and possibly see harmful dust enter the camera, not to mention missing the shot. Also, the mirror-free design allows you to enjoy the added functionality of a movie mode, which is something that SLRs cannot offer.
The lens is fixed to the camera – not only will the interior of the camera be protected from dust and the elements, but you also have an incredible zoom range at your disposal.It’s easy to zoom from one end of the zoom to the other with one movement . Fujinon optics have an enviable reputation within the photography industry for their clarity and quality, and the lens on the S9600 lives up to the name. The 13 elements include one hybrid aspherical element; one glass moulded aspherical element, as well as ED glass. Furthermore, photography enthusiasts will like the manual twist barrel zoom control, as well as the manual focusing ring, both giving pinpoint control. One of the more visible improvements on the S9600 is the large 2-inch LCD monitor, mounted on a tiltable axis on the back of the camera. Possessing an extremely detailed display of 235,000 pixels, it enables you to check focus and get an immediate idea of image sharpness. Unlike an SLR, you will find yourself able to shoot above your head and from the floor, unlocking amazing shooting potential. This camera is about a lot more than just nine million pixels. Super CCD technology has long been associated with class-leading performance in top-end digital cameras. Unlike generic image sensors, this system is developed and manufactured entirely in-house, and is performance only available from Fujifilm. Compared to the S9500, the S9600 sees refinements in the area of image sharpness, delivering a bitingly crisp rendition of reality. Furthermore, the impressive ISO range of 100-1600 means that you will get great, blur-free results in all light, not just daylight. Because of its incredible potential in low light conditions, the S9600’s auto focus has been further improved, enabling it to find focus more quickly in dim conditions. Fuji S9600